yhaiosTheater
my name is Inasia This is a blog that i that i doing for my theater class =) , i also have another tumblr http://yhaio.tumblr.com/
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my name is Inasia This is a blog that i that i doing for my theater class =) , i also have another tumblr http://yhaio.tumblr.com/
This ia also another piece i wrote
Love And Lost
-I love you….
I know you do but why
-It’s not what you think….
Then tell me what am i thinking
-It only happened once
But doesn’t that once always make you want it twice
-This isn’t how i wanted it to be
No it’s how it has to be
-We can fix things nothing has to change
You can’t always fix that which is broken
-Please we can start over
And what act like nothing happened….
-I just….
You just what wanted me to blind my eyes and act as though i saw nothing
-I never meant for this to happen
Well it did and ill have to get over it ….. and you
-No you cant i need you
You…. you need me well isn’t that funny you sure showed me how much you need me
-And you need me too you know that
You know if you said that a few days ago i would have agreed in a heart beet but now….
-So what your just going to say it’s over just like that
No it will never be over cause I’ll never be able to love some one the way i loved you
-This cant be happening
No it’s not happening it’s done …goodbye
this is one of the stories that i wrote a while ago
As I sit under this tree in this hot summer day in lakeside city , I just start to think why
“Why did he have to leave”‘Because he has to get stronger to be able to kill his brother’
Ok I know that but why did he have to leave with out me
‘Because he didn’t want you to get hurt’
Because he didn’t want me to get hurt that’s what I keep on telling my self but then I start to think what if I wasn’t the one who was there to see Sasuke leave what if it was Naruto instead
Would he still be here Or Would he had still left
Would he had took Naruto with him or would he had left naruto behind just like me
I find myself thinking that he would have taken Naruto with him and he would have stayed if Naruto had asked bad enough
Yeah I know he would had of stayed , he always did have a soft spot for Naruto.
Yup a soft spot called love , no matter how hard I tried sasuke never looked at me the way he looked at naruto , never smiled at me the way he smiled at Naruto , not that he ever really smiled , but when he did it was always towards Naruto
Always naruto
Ah I shouldn’t be like this it’s not naruto fault that sasuke loved him it’s my fault.
Maybe if I had stopped being such a bitch to him all the time I could have told him that sasuke loved him , but no I wanted sasuke to my self and you know what I still do no matter how much I hide it I still want him , and if I had a chance to go back change things I’d do the same thing again
You want to know why?
“Hi Sakura-chan I’m sorry I’m late for our date”
“It’s ok Naruto , I missed you” I say as I place a kiss on his cheek and we start to walk through the park.
‘ Because I’m just bitter like that you know’
Robert Foxworth
Robert Foxworth is an Associate Artist of The Old Globe and has appeared in The Madness of George III, Cornelia, Julius Caesar, Private Lives, Below the Belt, Love Letters, Antony and Cleopatra and last season in the title role of King Lear. During the winter he played Arthur in Superior Donuts at San Diego Repertory Theatre. His most recent appearance on Broadway was in August: Osage County as Charlie Aiken. Also on Broadway, Mr. Foxworth has appeared in Twelve Angry Men, Ivanov, Honour, Judgment at Nuremberg and Henry V. He won the Theatre World Award for his portrayal of John Proctor in The Crucible at Lincoln Center Theater. His television series include “Storefront Lawyers,” “Falcon Crest” and “LateLine” (with Al Franken). He has guest starred on countless television shows over the years such as a two-year stint on “Six Feet Under,” episodes of “Law & Order,” “Law & Order: Special Victims Unit” and recently “Chaos.” Mr. Foxworth’s regional theatre work has included Cyrano de Bergerac (Great Lakes Theatre Festival), Iago in Othello and The Scottish King in Macbeth (Guthrie Theater), George in Who’s Afraid of Virginia Woolf?(Hartford Stage), Uncle Vanya (Geffen Playhouse) and many more. He is the voice of Ratchet in all three of the Transformers movies.
Ray Chambers has worked as a classical actor and director with numerous regional theaters across the country since first training with The Old Globe in the mid-‘80s. For nearly two decades as an Associate Artist with the Alabama Shakespeare Festival, Chambers has worked as an actor, director, writer and instructor. He also served as Director of the Master of Fine Arts/Professional Actor Training Program at ASF from 2001 to 2009. His regional acting credits include title roles in Hamlet, The Count of Monte Cristo, Richard III, Coriolanus, King John, Henry V and Tartuffe and leading roles inJulius Caesar, The Winter’s Tale, The Rivals, Henry IV, Cat on a Hot Tin Roof, Great Expectations, The Importance of Being Earnest and Saint Joan, among many others. His credits at The Old Globe include Antony and Cleopatra, The Comedy of Errors, The School for Scandal, Coriolanus, Love’s Labours Lost, Hamlet and Macbeth. Mr. Chambers is a faculty member of The Old Globe/University of San Diego Graduate Theatre Program.Ray Chambers
Haynes Thigpen
has appeared on Broadway in Misalliance(Roundabout Theatre Company) and Off Broadway in Our House(Playwrights Horizons), The Duchess of Malfi and The Revenger’s Tragedy (Red Bull Theater) and Nobody (Rising Phoenix Repertory). His regional theatre credits Our House (Denver Center Theatre Company), Black Sheep (Barrington Stage Company), The Black Monk (Yale Repertory Theatre),Hamlet (McCarter Theatre), Twelfth Night (The Shakespeare Theatre Company),Cymbeline (California Shakespeare Festival) and Twelfth Night (Great Lakes Theatre Festival). His film and television credits include Dance ‘Til Dawn, Blackbird, Terror Firmer, “Law & Order” and “Law & Order: Criminal Intent.”
Lois Markle is delighted to be working again at The Old Globe. Among her many stage credits are the Broadway productions ofHedda Gabler, True West and The Grapes of Wrath. Her Off Broadway credits include The American Dream, The Sandbox, Measure for Measure, Camino Real, Curse of the Starving Class, I Am a Camera, The Middle Ages and¡Cuba Si! Her National Tours include Three Tall Women, Present Laughter, Summer, One Flew Over the Cuckoo’s Nest and After the Fall. Some of Ms. Markle’s favorite regional credits include Old Times, Toys in the Attic, A Delicate Balance, Who’s Afraid of Virginia Woolf?, Driving Miss Daisy, The Gin Game, Lost in Yonkers, Major Barbara, Albee’s Women (at The Old Globe), An Evening with Jon Robin Baitz and Eleanor Roosevelt in Her Own Words. Among her film credits are Torn Between Two Lovers, Breaking Up, Coming Apart and The Sporting Club. Her TV work includes “The Sopranos,” “Sex and the City,” “Law & Order: Criminal Intent” and “The ABC Afternoon Playbreak.”
Ronete Levenson has recently appeared Off Broadway in Lascivious Something (Women’s Project and Cherry Lane Theatre, directed by Daniella Topol), Our Town (Barrow Street Theatre, directed by David Cromer), What Once We Felt (Lincoln Center Theater, directed by Ken Rus Schmoll), Origin Story (The Public Theater, directed by Hal Brooks),Named (Rising Phoenix Repertory and the Cino Night Series at Seventh Street Small Stage) and Stunning (New York Theatre Workshop). Regionally, she appeared in Bus Stop (2011 IRNE Award for Best Supporting Actress Drama, Huntington Theatre Company, directed by Nicholas Martin) and Argonautika (Berkeley Repertory Theatre, The Shakespeare Theatre Company and McCarter Theatre, directed by Mary Zimmerman). On television and film, Ms. Levenson has appeared on “Law & Order, ” “Law & Order: Special Victims Unit,” “Guiding Light,” “Possible Side Effects” (pilot) directed by Tim Robbins (Showtime) and Taking Woodstock, directed by Ang Lee.Lois Markle
Ronete Levenson
The Globe Theatres is a non-profit regional theatre company located in San Diego’s beautiful Balboa Park. The Globe Theatres comprise the Old Globe Theatre, Cassius Carter Centre Stage, and the Lowell Davies Festival Theatre, - a destination for over 250,000 visitors each year. Producing 14 shows a year, the Globe is one of the largest producing theatres in the nation. World renowned for its productions, the Globe houses artists that build our costumes, sets, even wigs for each show.
Train Driver
Based on a true story, Athol Fugard’s newest play is the culmination of a career spent mining the depths and complications of the human heart. Roelf Visagie, a train driver, searches among the amangcwaba – the unnamed ones – for the final, unmarked resting place of a young woman and child he unintentionally killed. As he wanders the graveyards of Port Elizabeth, he encounters a mysterious grave digger who guides him towards a tenuous and troubling understanding. Running Time: 1 hour and 30 minutes (no intermission)By Athol Fugard • Directed by Gordon Edelstein
“Epic” - The New York Times
“Brave” - Hartford Courant
”Extraordinarily layered” - Theatre Mania
Ella
